Stand by · pulling the latest frames
Stand by · pulling the latest frames

Samuel Ramey (born March 28, 1942) is an American operatic bass. At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique which enabled him to sing the music of Handel, Mozart and Rossini but with enough vocal power to handle the more overtly dramatic roles in Verdi, Puccini, and Meyerbeer operas. Ramey graduated from Colby High School in Colby, Kansas in 1960. He studied music in high school and in college at Kansas State University, as well as at Wichita State with Arthur Newman. At Kansas State, he was a member of Kappa Sigma fraternity. Ramey was in the chorus of Don Giovanni in 1963, with Norman Treigle in the title role, while studying with the Central City Opera in Central City, Colorado. After being an apprentice with the Santa Fe Opera in Santa Fe, New Mexico, he worked for an academic publisher in New York City before he had his first breakthrough while at the New York City Opera debuting on March 11, 1973, as Zuniga in the 1875 Bizet opera Carmen. He took over that role as well as the Faustian devils in Gounod's Faust and Boito's Mefistofele, which was vacated by the early death of Treigle.
8.0Amadeus
1984

Macbeth
1987

Il viaggio a Reims
1984

I Lombardi - The Met
1993
8.7Don Giovanni
1987
8.0The Metropolitan Opera: Puccini's La Rondine
2009
10.0Attila
1991

Metropolitan Opera Gala James Levine's 25th Anniversary
1996
7.0New York City Opera: The Barber of Seville
1976
8.0Faust
1995
9.0Don Carlo
1992
6.0Natalie Dessay & Rolando Villazón - Massenet: Manon
2007
9.0Macbeth
1987

Bluebeard’s Castle / Erwartung (The Met)
1989

Stravinsky: The Rake’s Progress
1992

Don Quichotte
2000
8.2Carmen
1988
10.0Nabucco
2001
10.0Mefistofele
1989
9.0Les contes d'Hoffmann - Teatro alla Scalla
1996