Stand by · pulling the latest frames
Stand by · pulling the latest frames

George Kuchar (August 31, 1942 – September 6, 2011) and his twin brother Mike began making films as teenagers in the 1950s, with 8mm film being their weapon of choice. After shocking their local amateur filmmaking club with their over-the-top stories of lust and angst, they became stars of the NYC underground scene in the 1960s, befriending the likes of Jonas Mekas and Jack Smith. Always working with the constraints of minuscule budgets and nonprofessional actors, the Kuchar’s inspiration comes from classic Hollywood melodrama. Their cheaply made pictures, rather than being held back by lack of funds, blossomed in the shackles of poverty; the garish colors of the cheap makeup and sets were perfectly complemented by the bold color range afforded by Kodachrome reversal stock. The wild (and sometimes the inverse of wild) acting, use of stock music, lack of synch sound, hyperbolic narration, and primitive special effects all combined to make tiny gems unlike anything seen before or since. The Kuchars are cited as major influences by such filmmakers as John Waters, Todd Solondz, and David Lynch.
8.4He Stands in a Desert Counting the Seconds of His Life
1986
4.8Bongwater
1998
7.2It Came from Kuchar
2009

Cinemaville
2007
6.4Screamplay
1984
6.7Jack Smith and the Destruction of Atlantis
2007
10.0365 Day Project
2007
7.2Mary Jane's Not a Virgin Anymore
1998
7.1Brakhage
1998
4.7Hold Me While I'm Naked
1966

Underground New York
1968
5.4Taboo: The Single and the LP
1980

Bloodrape
2011
4.0Wieners and Buns Musical
1972
9.0Rainy Season
1987
7.3Divine Trash
2000
6.1Sins of the Fleshapoids
1965

Video Album 5: The Thursday People
1987
9.0Pictures at an Exhibitionist’s
1989

3 Stories About Evil
2008