Acting

Leila Mourad

Leila Mourad or Layla Morad (Arabic: ليلى مراد; February 17, 1918 – November 21, 1995) was an Egyptian singer and actress, and one of the most prominent superstars in Egypt and the entire Arab world in her era. Born Lilian Zaki Ibrahim Mourad to an Egyptian Jewish family, known for their patriotism in 1918 in the El Daher District in Cairo, she later changed her name to Leila Mourad as a stage-name. She made her first stage appearance, aged nine, at the Saalat Badi'a, one of Cairo's most successful Music Halls. The theatre had been founded in 1926 by the actress and dancer Badia Masabni, who became Mourad's patron. Her first film appearance, aged fifteen, was in the 1932 " Al-Dahaaya " (The Victims) which had originally been made as a silent film. Her song, The Day of Departure, was added as part of the transformation of the production into a "talkie". She was trained by her father and Dawood Hosni, who was also Jewish. Hosni had composed the first operetta in the Arabic language, and he composed two songs for Leila: Hairana Leh Bein El-Eloub (Why can't you choose from among lovers), and Howa el dala'a ya'ani khessam (Does daliance mean avoiding me?). Further success came when the prominent Egyptian composer Mohammed Abdel Wahab heard her singing and gave her a role in his film Yahia el Hob (Viva Love!) in 1938. In the six years following the success of Yahia el Hob she made five best selling films with director Togo Mizrahi, becoming Egypt's top actress. In 1945 she made Layla Bint al-Fuqara ("Layla, daughter of the poor") directed by Anwar Wagdi whom she married shortly after. She went on to make a further 20 films of which the most outstanding is Ghazel el-Banat ("The Flirtation of Girls"), also directed and co-starring Wagdi. It also featured Nagib al-Rihani and Abdel Wahab in their last appearances on film.