Stand by · pulling the latest frames
Stand by · pulling the latest frames

He began his professional studies at the Escuela de Arte Teatral del Instituto Nacional de Bellas Artes (INBA), in 1946, under the teachings of Clementina Otero, Enrique Ruelas, Earl Senett and Seki Sano. He excelled as an actor in numerous plays: Waiting for Godot, by Samuel Beckett; Poor People, by Dostoyevsky; The Diary of a Madman, by Gogol; with which he achieved a memorable dramatization and more than two thousand performances for nearly twenty-five years. He received awards and distinctions, among them, that of actor emeritus of the Moscow Academy of Theater and Performing Arts for his performance in The Diary of a Madman. Carlos Ancira Negrete, actor and playwright, was one of the initiators of the "Theater of the Absurd" in the 1960s. His interest focuses on the values of a dehumanized society and the loneliness of the individual, thus reflecting the moral and psychological conflicts of a central character to whom the author gave all the dramatic force through the monologue, one of his most successful resources, which in turn led to a theatrical representation in which the essence of the work itself and the performer could be seen with greater effect, above the theatrical or scenographic space. He left unfinished a book he was preparing on his theatrical technique, and other plays unpublished.
6.8Fando and Lis
1972
6.0Los diablos del terror
1959
6.6The Vampire's Coffin
1958
5.6The Blood of Nostradamus
1962
6.3Tú, yo, nosotros
1972
7.5Jesús, María y José
1972
8.0Our Daily Hunger
1960
6.2Los tres alegres compadres
1952
5.0La Bandida
1963
6.7Santo and Blue Demon Against the Monsters
1970
7.1Jesús, nuestro Señor
1971
6.9The Paper Man
1963
4.9Santo in the Vengeance of the Mummy
1971
7.1Orlak, the Hell of Frankenstein
1960
6.3La entrega de Chucho el Roto
1962
5.6The Living Coffin
1959
6.3La captura de Chucho el Roto
1961
5.3La furia del ring
1961
7.4Todo Por Nada
1969
5.2Del suelo no paso
1959