Stand by · pulling the latest frames
Stand by · pulling the latest frames

The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century. Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts.
6.8Oedipus Rex
1967
4.2Red Hot Shot
1970
1.0Otello o la deficienza della donna
2002
4.8Necropolis
1970
6.6Our Lady of the Turks
1968

Il canto d'amore di Alfred J. Prufrock
1967
6.2Umano Non Umano
1969
7.5One Hamlet Less
1973
6.7Salomé
1972
6.8BENE! Vita di Carmelo, la macchina attoriale
2022

Carmelo Bene: Uno contro tutti
1994

Necro not(to b)e
2003

Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1977
3.0Hommelette for Hamlet, operetta inqualificabile (da J. Laforgue)
1990

La parte maledetta. Viaggio ai confini del teatro - Carmelo Bene
2024
6.0Catch As Catch Can
1967

Manfred, versione per concerto in forma di oratorio
1983
7.6Pinocchio, ovvero lo spettacolo della Provvidenza
1999

Un'ora prima di Amleto, più Pinocchio
1965
7.2Hermitage
1968